Is the album format dying?

I loved to see a new edition of Maia Hirasawa’s album Though, I’m Just Me on Spotify, but it made me wonder if the dear old album format is dying – or if it’s not dying but it should be. The album is a very strong socio-economic tradition in the music industry, but it’s strongly [...]

Maia Hirasawa - Though, I'm Just Me - New Edition

Maia Hirasawa - Though, I'm Just Me - New Edition

I loved to see a new edition of Maia Hirasawa’s album Though, I’m Just Me on Spotify, but it made me wonder if the dear old album format is dying – or if it’s not dying but it should be. The album is a very strong socio-economic tradition in the music industry, but it’s strongly related to products as the LP and the CD. The album was also practical in a society with simple attention mechanisms. A few music labels owning most of the industry, and relatively few but very famous artists releasing albums evenly over the year, carefully planned for maximum attention. The Internet age will probably lead to substantial changes in this distribution form.

Maia Hirasawa’s new edition is, 2008, a rule rather than an exception. Most popular music albums is released in multiple versions. The digitalization of the music industry inevitable leads to reconstructed forms of distribution. Personally I think we will end up in the “blog format”, with the artist releasing songs as they are completed. The Swedish artist Marit Bergman is probably leading the way with her subscription service:

Marit Bergman's Subscription Service

Next to last she hints the possibility of this distribution form supersiding the album format. I like this change. In a way I like the album distribution form, but it feels kind of strained in the digital world. I would like this change even better if all artists distributed new songs immediatly into distribution forms as Spotify, and let our listening determine the artist’s “pay check”. In this scenario, Spotify would not be taxonomized by albums, but by artists and their chronological flow of songs. As a listener I should be able to subscribe to new songs by for example Marit Bergman, and for every time i listen to her music, she would get paid. I hope this is the future of Spotify and other streaming services.

It would also be nice if distribution platforms as Spotify had a paypal button on each artist page, where I could sponsor artists if I like their music. Perhaps, this would especially benifit new artists – no point of sponsoring someone I know to be a multimillionaire.

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The Future of Streaming Music

For some weeks now, I’ve enjoyed the Swedish artist Marit Bergman’s album “I think it’s a Rainbow” on the streaming service Spotify. I made a playlist linking to the album, just like I do in iTunes etc.  Today when I clicked the link I got the message:
This track is currently not available in Sweden. Try [...]

For some weeks now, I’ve enjoyed the Swedish artist Marit Bergman’s album “I think it’s a Rainbow” on the streaming service Spotify. I made a playlist linking to the album, just like I do in iTunes etc.  Today when I clicked the link I got the message:

This track is currently not available in Sweden. Try finding replacements for all unavailable tracks in this playlist.

Not there anymore. I had to listen to something else :(

I’m not particularly happy with the thought of albums behaving like a yo-yo in Spotify. Is it Marit Bergman herself who have stopped the album? Probably. If it is, this is the first time I see a serious threat to this kind of music distribution. For a long time I have lived in some kind of illusion that streaming services would replace file based music distribution. But I am not sure about that anymore. Perhaps artists more and more will go Marit Bergman’s way and run a subscription service for new songs + a lot more things related to being a “fan” – a relationship I’m not particularly interested in myself. This kind of relation to the “fans” might be good in some ways, but if artists more or less arbitrarily can take their music in and out of streaming services we might never be able to view it as more than a radio hybrid.

But then again, perhaps the collecting feature in music will die. Perhaps it will be more of artists collecting music lovers than music lovers collecting music. The only thing we can be sure of is that music never will be “the same” as it was before music slipped out of its material container.

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