Storytel – Streaming Audiobooks in the Mobile Phone

I have been follow the development of Storytel ever since it started in the form of “Bokilur” – at least a couple of years ago. Storytel is a service for listening to audio books on your phone. The books are streamed, like Spotify, but for audio books and only in a mobile phone. When I [...]

storytel

I have been follow the development of Storytel ever since it started in the form of “Bokilur” – at least a couple of years ago. Storytel is a service for listening to audio books on your phone. The books are streamed, like Spotify, but for audio books and only in a mobile phone. When I tested it before, I viewed it as promising but lacking somewhat when it comes to things like audio quality and  the number of books supplied.

Spotify have made me view Storytel in a different light. I think it is so damn good to be able to use media as music and audio books as a service, as opposed to having to buy a physical or virtual copy of it. I just finished a book and learned that the audio quality got better. I am not sure it’s something in their technology, It might be my phone. Another thing is that the sound quality got better and better as the reading went  along. I guess it has to to with our fabulous body’s capacity of adapting to new circumstances.

There is not much to complain about the books from Swedish publishers, but a lot of the English books are absurdly short which probably is because they are “abridged” – there is no such information. Abridged audio books are quite common in the English language. I really don’t understand why. I would never read an abridged book. It seems really crazy. Luckily, I believe this tradition is fading away.

How I use Storytel

Recently I have tried to read some audio books to get energy for all reading and writing I have to do in the process of writing my thesis – and spare my eyes. It was easy to install Storytel software – and I believe it will be quite easy even if you don’t have experience in this field. Currently I have a subscription that’s giving me the right to unlimited listening for 169 kr a month (which is about 16 euro). The phone software is easy to use. I can search for books or browse by author, popularity etc. The player always remembers where I am in a book and when I answer a call, the narrators voice fades away. I use my private mobile with Telenor- the subscription fee is included in the phone bill. Telenor and other big mobile operators in Sweden have an arrangement with Storytel, so there is no net fee. The only thing I pay is the monthly subscription. The arrangement between Storytel and the mobile operators also apply if you pay per week, or per book, so there are no hidden costs. I haven’t tested it on trains or driving, but it works almost perfectly in the areas around my home. Taking a “book reading walk” in the woods surrounding the small town Ronneby – where I live – rarely lead to communication breaks.

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Dropbox and Spotify

There are two recent services/technologies I would highlight as important steps to a networking future, Dropbox and Spotify. Neither of these services primarily target the “friend space” which got practically all attention during the recent years. A friend space has been a standard feature for most web services and technologies recently. Dropbox and Spotify has some [...]

DropboxThere are two recent services/technologies I would highlight as important steps to a networking future, Dropbox and Spotify. Neither of these services primarily target the “friend space” which got practically all attention during the recent years. A friend space has been a standard feature for most web services and technologies recently. Dropbox and Spotify has some some social features but their strong side is new solutions to old problems. Dropbox is the ideal syncing service and Spotify delivers streaming music as smooth as iTunes or MS Mediaplayer.

You install Dropbox on your computer. It works cross platform for Mac, Linux and Windows. When dropbox is installed you get a folder called “dropbox” in your Finder, Nautilus, Exporer or whatever your file manager is called. Everything you put in the dropbox folder is synced with your account on the dropbox server. Lets say your are editing the document veronaproject.odt on your Mac. It’s located in the dropbox folder. As soon as you press save in the word processor, the document is synced seamlessly with the dropbox server. Next, you go to your Windows machine, open your word processor and open the same file from your dropbox folder. It’s the latest version of the document you just edited on your Mac. After that you go to your Ubuntu and edit the same document. Everything works seamlessly, without hassle. It just works.

The free version of dropbox comes with 2 GB storing, and a 50 GB paid version is available for 99 dollar / year.

SpotifySpotify looks a lot like iTunes. It is a software and service for streaming music from the Spotify server to your desktop. It works practically flawlessly. The music starts immediately and plays without any sign of streaming sickness. Spotify is like day and night compared to earlier streaming services.

Music is static for me. I don’t create music myself. I don’t have to “own” music files in the same way I have to own my document files, photos or home video files. I’m very happy to spend an amount every month on a subscription service, where all music I can imagine is available. My listening habits is registered, recalculated in dollar and distributed to the artists. I don’t have to host the files myself and I actually do something for the environment. If everyone switched to streaming music, the world would save a lot of energy in fewer hard disks -  digital storing is becoming more and more of a environmental problem in the world. Spotify is native for Mac and Windows and works well under Wine on Linux. There are both a free and a paid version. The free version is still invites only, but the paid versions is available for everyone (in some countries). It will cost you about 10 euro / month or 1 euro for 24 hours, and it’s worth every penny.

Spotify have some initial shortcomings. The most obvious shortcoming is the inability to use it on portable devices, another is that not all music is available yet. It has also been some instability in the catalog, some albums are available one day and gone the other day. This problem is due to the record companies, and will hopefully be solved as the service gets more and more attention and users. And the Spotify team is working hard to add music to the database.

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The Future of Streaming Music

For some weeks now, I’ve enjoyed the Swedish artist Marit Bergman’s album “I think it’s a Rainbow” on the streaming service Spotify. I made a playlist linking to the album, just like I do in iTunes etc.  Today when I clicked the link I got the message:
This track is currently not available in Sweden. Try [...]

For some weeks now, I’ve enjoyed the Swedish artist Marit Bergman’s album “I think it’s a Rainbow” on the streaming service Spotify. I made a playlist linking to the album, just like I do in iTunes etc.  Today when I clicked the link I got the message:

This track is currently not available in Sweden. Try finding replacements for all unavailable tracks in this playlist.

Not there anymore. I had to listen to something else :(

I’m not particularly happy with the thought of albums behaving like a yo-yo in Spotify. Is it Marit Bergman herself who have stopped the album? Probably. If it is, this is the first time I see a serious threat to this kind of music distribution. For a long time I have lived in some kind of illusion that streaming services would replace file based music distribution. But I am not sure about that anymore. Perhaps artists more and more will go Marit Bergman’s way and run a subscription service for new songs + a lot more things related to being a “fan” – a relationship I’m not particularly interested in myself. This kind of relation to the “fans” might be good in some ways, but if artists more or less arbitrarily can take their music in and out of streaming services we might never be able to view it as more than a radio hybrid.

But then again, perhaps the collecting feature in music will die. Perhaps it will be more of artists collecting music lovers than music lovers collecting music. The only thing we can be sure of is that music never will be “the same” as it was before music slipped out of its material container.

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